e gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse,

The main trick of the advertisement is that it persuades consumers to purchase products not even realizing that the last were persuaded. Often we buy things which we do not even need and would never think of buying. Advertisement is what influenced our decision a lot.

The main objective of my advertising article was to critically analyse the most commonly used techniques used in the advertising of hair colourants. To achieve my objective a series of advertisements of a visual printed nature in addition to video clips of television advertisements were collected and closely analysed. Repetitive patterns quickly evolved in both visual and written language techniques and it soon became obvious that all hair dye advertisements were in fact directed at women, through the use of attractive and famous women such as Nutrisses - Sarah Jessica Parker (Sex in the City) in order to sell the product.

Once the target audience of women had been established readers were subjected to direct address through the use of the second person pronoun 'you' and it's corresponding possessive 'your' in phrases such as "it's actually good for your hair" (Garnier, Nutrisse) and "what ever your unique style" (Viva Colour, Wella). Personal pronouns are employed by various colourant producers to identify with and persuade the reader into thinking that they are alike the stunning L'Oreal models Heather Locklear, Ande McDowell and Laetitia Casta and can have gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse,

d techniques used in the advertising of hair colourants. To achieve my objective a series of advertisements of a visual printed nature in addition to video clips of television advertisements were collected and closely analysed. Repetitive patterns quickly evolved in both visual and written language techniques and it soon became obvious that all hair dye advertisements were in fact directed at women, through the use of attractive and famous women such as Nutrisses - Sarah Jessica Parker (Sex in the City) in order to sell the product.

Once the target audience of women had been established readers were subjected to direct address through the use of the second person pronoun 'you' and it's corresponding possessive 'your' in phrases such as "it's actually good for your hair" (Garnier, Nutrisse) and "what ever your unique style" (Viva Colour, Wella). Personal pronouns are employed by various colourant producers to identify with and persuade the reader into thinking that they are alike the stunning L'Oreal models Heather Locklear, Ande McDowell and Laetitia Casta and can have gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse,

sements were in fact directed at women, through the use of attractive and famous women such as Nutrisses - Sarah Jessica Parker (Sex in the City) in order to sell the product.

Once the target audience of women had been established readers were subjected to direct address through the use of the second person pronoun 'you' and it's corresponding possessive 'your' in phrases such as "it's actually good for your hair" (Garnier, Nutrisse) and "what ever your unique style" (Viva Colour, Wella). Personal pronouns are employed by various colourant producers to identify with and persuade the reader into thinking that they are alike the stunning L'Oreal models Heather Locklear, Ande McDowell and Laetitia Casta and can have gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse,

your' in phrases such as "it's actually good for your hair" (Garnier, Nutrisse) and "what ever your unique style" (Viva Colour, Wella). Personal pronouns are employed by various colourant producers to identify with and persuade the reader into thinking that they are alike the stunning L'Oreal models Heather Locklear, Ande McDowell and Laetitia Casta and can have gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse,

e gorgeous colour and shine - "Because I'm worth it" (L'Oreal, Paris). Famous people are used to endorse the products to create a sense of security; it leads the consumer to think that if 'these' beautiful people use it, it must be good.

The repetition of knowledge and rank are also pre-eminant throughout hair dye advertisements. L'Oreal, Wella, Nutrisse, Sebastian, Feria and Swarzkoph all imply bold assertions to endorse their products. The most common claim being that they are "experts", which is reinforced by Garniers repeated catch-phrase "The European Expert in home hair colourants". L'Oreal states in their Superior Preference, Recital Preference and Excellence ads that they are the "World number one in hair colour". This technique is used to suggest importance and status; it attempts to gain the readers trust and approval in the product. Schwarzkopf attempts to attract customers by claiming their product have been "Formulated and guaranteed by laboratories".

Advertisers commonly use pre and post adjectival modifiers such as 'Vibrant', 'Rich' and 'Radiant', in conjunction with superlatives to attract the reader and imply a quality that exceeds that of the competitors. Superlatives are most frequently used in the advertisements when referring to grey coverage and each respective brand appears to offer greater coverage than the other. Viva colour by Wella and Nutrisse Garnier both offer "100% grey coverage", where as L'Oreal's New Excellence Creme has "New premium quality" and "Superior grey coverage". The use of the statistical "100%" is used to validate the producer's claims.

My personal research revealed that hair colourant adverts are directly marketed towards a common target audience of women through the use of beautiful women - with healthy, shiny hair. This i