One eBook publisher specializing in erotic romance titles claims to sell thirty thousand eBooks a month! Other small publishers of eBooks are proud to mention how they first published authors who now rank among the hottest sellers today.

For the author struggling to get his foot in the door of the publishing industry, publishing through electronic means may sound appealing. Compared to most traditional print publishers, eBook publishers tend to offer a higher percentage of royalties on net sales and allow for more author input on promotion and cover art. Turnaround time between submission and book release may be shorter, as production may not be as involved. However, as with any industry, there are caveats to consider.

For all the benefits of taking your book to an electronic publisher, there are also disadvantages one needs to realize. Any author preparing to take a manuscript to an editor or publisher should be aware.

Limited distribution

First, let me qualify this section by stating that even if you are fortunate to have a book placed with a traditional print publisher, it is not an automatic guarantee that your book will be on the shelves of every bookstore in the country. True, if your publisher distributes inventory through a third-party vendor like Ingrams or Baker and Taylor, your book will most certainly be available for order by customers and booksellers.

But, given the number of books published each year and the amount of available shelf space in stores, there is sadly not enough room for everybody. When booksellers attend trade shows and study their own sales, they are going to make decisions based upon a book's salability and the behaviors of their customers. A store that does a whopping business in mystery novels will likely not saturate shelves with computer manuals.

For the eBook author, opportunities for distribution are limited even further. Though some major chain bookstores are dipping toes into the eBook world by offering download versions of books through their websites, it will be years before one finds an eBook kiosk at the local shop. For now, eBook authors must rely upon the online resources available to them. They include direct sales from the publisher, third-party eBook retailers like Fictionwise and Diesel Books, and direct

For the author struggling to get his foot in the door of the publishing industry, publishing through electronic means may sound appealing. Compared to most traditional print publishers, eBook publishers tend to offer a higher percentage of royalties on net sales and allow for more author input on promotion and cover art. Turnaround time between submission and book release may be shorter, as production may not be as involved. However, as with any industry, there are caveats to consider.

For all the benefits of taking your book to an electronic publisher, there are also disadvantages one needs to realize. Any author preparing to take a manuscript to an editor or publisher should be aware.

Limited distribution

First, let me qualify this section by stating that even if you are fortunate to have a book placed with a traditional print publisher, it is not an automatic guarantee that your book will be on the shelves of every bookstore in the country. True, if your publisher distributes inventory through a third-party vendor like Ingrams or Baker and Taylor, your book will most certainly be available for order by customers and booksellers.

But, given the number of books published each year and the amount of available shelf space in stores, there is sadly not enough room for everybody. When booksellers attend trade shows and study their own sales, they are going to make decisions based upon a book's salability and the behaviors of their customers. A store that does a whopping business in mystery novels will likely not saturate shelves with computer manuals.

For the eBook author, opportunities for distribution are limited even further. Though some major chain bookstores are dipping toes into the eBook world by offering download versions of books through their websites, it will be years before one finds an eBook kiosk at the local shop. For now, eBook authors must rely upon the online resources available to them. They include direct sales from the publisher, third-party eBook retailers like Fictionwise and Diesel Books, and direc

For all the benefits of taking your book to an electronic publisher, there are also disadvantages one needs to realize. Any author preparing to take a manuscript to an editor or publisher should be aware.

Limited distribution

First, let me qualify this section by stating that even if you are fortunate to have a book placed with a traditional print publisher, it is not an automatic guarantee that your book will be on the shelves of every bookstore in the country. True, if your publisher distributes inventory through a third-party vendor like Ingrams or Baker and Taylor, your book will most certainly be available for order by customers and booksellers.

But, given the number of books published each year and the amount of available shelf space in stores, there is sadly not enough room for everybody. When booksellers attend trade shows and study their own sales, they are going to make decisions based upon a book's salability and the behaviors of their customers. A store that does a whopping business in mystery novels will likely not saturate shelves with computer manuals.

For the eBook author, opportunities for distribution are limited even further. Though some major chain bookstores are dipping toes into the eBook world by offering download versions of books through their websites, it will be years before one finds an eBook kiosk at the local shop. For now, eBook authors must rely upon the online resources available to them. They include direct sales from the publisher, third-party eBook retailers like Fictionwise and Diesel Books, and direc

But, given the number of books published each year and the amount of available shelf space in stores, there is sadly not enough room for everybody. When booksellers attend trade shows and study their own sales, they are going to make decisions based upon a book's salability and the behaviors of their customers. A store that does a whopping business in mystery novels will likely not saturate shelves with computer manuals.

For the eBook author, opportunities for distribution are limited even further. Though some major chain bookstores are dipping toes into the eBook world by offering download versions of books through their websites, it will be years before one finds an eBook kiosk at the local shop. For now, eBook authors must rely upon the online resources available to them. They include direct sales from the publisher, third-party eBook retailers like Fictionwise and Diesel Books, and direc

For the eBook author, opportunities for distribution are limited even further. Though some major chain bookstores are dipping toes into the eBook world by offering download versions of books through their websites, it will be years before one finds an eBook kiosk at the local shop. For now, eBook authors must rely upon the online resources available to them. They include direct sales from the publisher, third-party eBook retailers like Fictionwise and Diesel Books, and direct sales of books on CD-ROM at signings and other book events.

The last entry may prove daunting for some authors who must aversion to buying a book on disc, but depending on the event one might be surprised to know how well eBooks sell. The annual book fair connected to the Romantic Times convention, for example, attracts a number of readers willing to make such purchases.

Uphill battle with stigmas

"I would rather read a 'real book'."

"All eBooks are poorly edited."

"eBook publishers will take anything. The books aren't good."

"That's too much to pay for something I can't touch."

As somebody who has written and published eBooks, I've heard these and many other disparaging remarks about the industry. Suffice to say, it is true that there are a number of dubious eBook companies in existence that typify the above sentiments. Sadly, the shoddy workmanship of said companies threatens to define the industry as a whole, and it is a stigma every eBook author must face when promoting his work.

Let us consider the above statements one by one.

Buying a "real" book: the traditionalist can argue all he wants, but a good eBook is a real book. It is a tangible object in disk form, a visual object that can be read. Most eBook publishers assign ISBN numbers to works and register them with the US Copyright Office and Books in Print, especially if print formats are forthcoming. eBook novels have plots, dialogue, characters, a beginning, middle, and end.

Despite this, there will always exist people resistant to new technology and methods of providing information. It can be argued that curling up with a good book cannot be achieved with an eBook, but it is possible if a person has a handheld reader instead of a desktop computer. As the quality of eBooks rises, so may the number of converts. Until then, eBook authors must face the challenge of selling head-on.

Editing and eBooks: As mentioned before, there are eBook companies that exist mainly as mills, churning out books without thought to editing, formatting, and promotion. Obviously such companies should be avoided. However, as larger companies come to embrace the technology, so comes the careful attention to detail p