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  • Actual for You - 188 Stage Hero's Journey (Monomyth): Brokeback Mountain; Limiting Factors

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    re removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella

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    The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    ABRIDGED TIP(S):

    *****Apotheosis*****

    Limiting factors are removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella

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    e craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    ABRIDGED TIP(S):

    *****Apotheosis*****

    Limiting factors are removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella

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    ns the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    ABRIDGED TIP(S):

    *****Apotheosis*****

    Limiting factors are removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella

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    an superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    ABRIDGED TIP(S):

    *****Apotheosis*****

    Limiting factors are removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella

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    re removed. In Brokeback Mountain (2005), Ennis and Alma divorce.

    *****Ultimate Antagonism and Inner Resolve*****

    The Antagonist commits an act that forces the Hero to reach inside himself and draw Inner Strength and Resolve.

    Often, the Antagonist threatens a vile act or an emotional tie. In Return of the Jedi (1983), Vader tells Luke that he will attempt to convert Leia. In Cinderella Man (2005), Jim Braddock thinks of his wife and kids and his previous poverty and begins to win.

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