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  • Actual for You - 188 Stage Hero's Journey (Monomyth): Resistance to the Return

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    acteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Mas

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    The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Crossing the Return Threshold*****

    A common characteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Mast

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    the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Crossing the Return Threshold*****

    A common characteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Mas

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    tations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Crossing the Return Threshold*****

    A common characteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Mas

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    h you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Crossing the Return Threshold*****

    A common characteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Mas

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    acteristic of the Crossing of the Return Threshold is the resistance to it. In Straw Dogs (1971), Amy doesn't want Henry in the house.

    *****Master Plot*****

    There is a theory that there are a finite number of Plots (Tragedy, Rags to Riches, Rebirth. Man vs Machine, Man vs Environment etc). If you deconstruct these, you will find that they all reduce to the Hero's Journey, which is the Master Plot. This is because all Plots can be reduced to Transformation and the Hero's Journey IS the Process of Transformation.

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