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    ishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and th

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    The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and th

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    constructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and th

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    ed in the craft.

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and th

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    p>

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and th

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    ishing and achieving catharses, of which there are usually four).

    and more...

    ALL STORIES ARE QUESTS AND THE PROCESS OF THE QUEST IS THE HERO'S JOURNEY

    All stories are Quests and the process of embarking upon and completing the Quest is the 188 stage Hero's Journey. This is an incredibly useful fact, as it implies effective story structure - it directs your Hero towards the tangible (Sword), which is a metaphor for the intangible (Expansion of Consciousness, New Capacities).

    The term "Quest" misleadingly implies a certain type of story (Arthurian legend, Dragon's Lair, Damsel in Distress, Treasure Hunt) etc.

    Replace the treasure in the dragon's lair or the damsel in the tower with that which your Hero requires and you will see that all stories are actually Quests.

    In Little Miss Sunshine (2006), Olive wants to win the beauty pageant, but before she can win that battle, she must gain an capacity (the Sword).

    In Thelma and Louise (1991), The

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