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    972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to diss

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    The Hero's Journey (also known as the Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. It is upon this structure that situations are superimposed. This is why stories such as Alien (1979), Gladiator (2000), Godfather (1972), American Beauty (1999), Annie Hall (1977) and many others (all deconstructed at www.clickok.co.uk/index4.html) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    The following blockbusters have all been structured around the Hero's Journey template: Titanic, 1997 - grossed over $600,000,000; Star Wars, 1977 - grossed over $460,000,000; Shrek 2, 2004 - grossed over $436,000,000; ET, 1982 - grossed over $434,000,000; Spiderman, 2002 - grossed over $432,000,000. So how come you don't know it inside out?

    For a number of very valid reasons, if you want to write (and sell) successful stories, whether they're Hollywood blockbusters, Indie successes, novels or other story forms, you need to master the Hero's Journey in a very detailed way...

    EVERY GREAT HERO UNDERGOES A PERIOD OF REFLECTION

    Every great hero undergoes a Period of Reflection, where his (or her) path (destiny, dharma) becomes clearer. It is the (much shorter) equivalent of wandering through the desert for forty days and nights (common in many religious texts) or the walkabout (an Australian aboriginal term and common in the rites of passage rituals of many cultures).

    The Period of Reflection occurs in at least two places of the Hero's Journey.

    The first is often in the First Threshold, before the Hero makes the Conscious Decision to leave his Old Self behind. Leaving behind a part of you in not easy. In The Godfather (1972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to disso

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    onstructed, almost sequence by sequence, in the same way.

    The following blockbusters have all been structured around the Hero's Journey template: Titanic, 1997 - grossed over $600,000,000; Star Wars, 1977 - grossed over $460,000,000; Shrek 2, 2004 - grossed over $436,000,000; ET, 1982 - grossed over $434,000,000; Spiderman, 2002 - grossed over $432,000,000. So how come you don't know it inside out?

    For a number of very valid reasons, if you want to write (and sell) successful stories, whether they're Hollywood blockbusters, Indie successes, novels or other story forms, you need to master the Hero's Journey in a very detailed way...

    EVERY GREAT HERO UNDERGOES A PERIOD OF REFLECTION

    Every great hero undergoes a Period of Reflection, where his (or her) path (destiny, dharma) becomes clearer. It is the (much shorter) equivalent of wandering through the desert for forty days and nights (common in many religious texts) or the walkabout (an Australian aboriginal term and common in the rites of passage rituals of many cultures).

    The Period of Reflection occurs in at least two places of the Hero's Journey.

    The first is often in the First Threshold, before the Hero makes the Conscious Decision to leave his Old Self behind. Leaving behind a part of you in not easy. In The Godfather (1972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to diss

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    asons, if you want to write (and sell) successful stories, whether they're Hollywood blockbusters, Indie successes, novels or other story forms, you need to master the Hero's Journey in a very detailed way...

    EVERY GREAT HERO UNDERGOES A PERIOD OF REFLECTION

    Every great hero undergoes a Period of Reflection, where his (or her) path (destiny, dharma) becomes clearer. It is the (much shorter) equivalent of wandering through the desert for forty days and nights (common in many religious texts) or the walkabout (an Australian aboriginal term and common in the rites of passage rituals of many cultures).

    The Period of Reflection occurs in at least two places of the Hero's Journey.

    The first is often in the First Threshold, before the Hero makes the Conscious Decision to leave his Old Self behind. Leaving behind a part of you in not easy. In The Godfather (1972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to diss

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    sert for forty days and nights (common in many religious texts) or the walkabout (an Australian aboriginal term and common in the rites of passage rituals of many cultures).

    The Period of Reflection occurs in at least two places of the Hero's Journey.

    The first is often in the First Threshold, before the Hero makes the Conscious Decision to leave his Old Self behind. Leaving behind a part of you in not easy. In The Godfather (1972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to diss

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    972), Michael sits on the bench and thinks awhile before deciding to say goodbye to Kay ("...I don't know when I'll see you again...") and join his father (".....I'm with you now Pop, I'm with you...).

    The second occurs before the Hero embarks on the Road of Trials. The Transformation at this stage of the Journey is all about dissolving away the Old Self. Again, it is not easy to let go of who you were and allow your Old Self to dissolve away. In Spartacus (1963), Spartacus reflects on his past before deciding to build an army of gladiators.

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