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  • Actual for You - 188 Stage Hero's Journey (Monomyth) Story, Screenwriting Structure

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    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this s

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    The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this st

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    rs. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this s

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    )].

    THERE IS ONLY ONE STORY

    THE 188 STAGE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this s

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    and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.

    ABRIDGED TIPS, EXCERPTS AND EXAMPLES:

    (simply go to http://www.heros-journey.info/ for full details)

    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this s

    Tips on Public Speaking
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    ney.info/">http://www.heros-journey.info/ for full details)

    *****Final Conflict: Hand to Hand Battle*****

    Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. One element of this stage of the journey is the direct conflict with the antagonist. They do not battle from afar. In Straw Dogs (1971), David takes Tom's son out with a crowbar. Then he takes on and kills Ratboy.

    *****Call of the Woodsman*****

    When the Hero is engaged in the Trivial Task, he or she is distracted and attracted by a force, which cannot be resisted. This pulls the Hero off the Normal Path. Knowing that veering off the Path is dangerous and that there have been warnings against it, this stage of the Journey frequently involves:

    Haste. The Hero moves toward the Call hastily.

    Stealth. The Hero moves toward the Call stealthily.

    Dead of Night. The Hero moves toward the Call in the dead of night. In The Incredibles (2004), Mr Incredible visits Edna in secrecy.

    *****Trivial Task*****

    The commonality of the Trivial Task is frightening. We know it from our fairytales (take these cakes to Grandma....go sell these pigs at market....go pick some flowers from the field). The Trivial Task most often leads the Hero from one stage of the Journey to another. In Straw Dogs (1971), Amy asks David ... "...can you please get some lettuce and fix the damn toaster...."

    *****Transmogrification*****

    Every good Hero is wounded as he begins his (or her) Journey. As that wound heals, so it represents the Hero's Transformation and Transmogrification from an Ordinary Self to a New Self.

    For example, in

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